The False Refinements in Our Style, by Jonathan Swift (page two)
The third refinement observable in the letter I send you, consists in the choice of certain words invented by some pretty fellows, such as banter, bamboozle, country put, and kidney, as it is there applied; some of which are now struggling for the vogue, and others are in possession of it. I have done my utmost for some years past to stop the progress of mob and banter, but have been plainly borne down by numbers, and betrayed by those who promised to assist me.
In the last place, you are to take notice of certain choice phrases scattered through the letter; some of them tolerable enough, till they were worn to rags by servile imitators. You might easily find them, although they were not in a different print, and therefore I need not disturb them.
These are the false refinements in our style which you ought to correct: first, by arguments and fair means; but if those fail, I think you are to make use of your authority as censor, and by an annual Index Expurgatorius expunge all words and phrases that are offensive to good sense, and condemn those barbarous mutilations of vowels and syllables. In this last point the usual pretence is, that they spell as they speak: a noble standard for language! to depend upon the caprice of every coxcomb, who, because words are the clothing of our thoughts, cuts them out and shapes them as he pleases, and changes them oftener than his dress. I believe all reasonable people would be content that such refiners were more sparing of their words, and liberal in their syllables.
On this head I should be glad if you would bestow some advice upon several young readers in our churches, who, coming up from the university full fraught with admiration of our town politeness, will needs correct the style of our prayer-books. In reading the absolution, they are very careful to say "Pardons and absolves"; and in the prayer for the Royal Family it must be endue'um, enrich'um, prosper'um, and bring'um. Then in their sermons they use all the modern terms of art, sham, banter, mob, bubble, bully, cutting, shuffling, and palming, all which, and many more of the like stamp, as I have heard them often in the pulpit from some young sophisters, so I have read them in some of those sermons that have made a great noise of late. The design, it seems, is to avoid the dreadful imputation of pedantry to show us that they know the town, understand men and manners, and have not been poring upon old unfashionable books in the university.
I should be glad to see you the instrument of introducing into our style that simplicity, which is the best and truest ornament of most things in human life; which the politer ages always aimed at in their buildings and dress (simplex munditiis) as well as their productions of wit. It is manifest that all new affected modes of speech, whether borrowed from the court, the town, or the theatre, are the first perishing parts in any language: and, as I could prove by many hundred instances, have been so in ours. The writings of Hooker, who was a country clergyman, and of Parsons the Jesuit, both in the reign of Queen Elizabeth, are in a style that, with very few allowances, would not offend any present reader; much more clear and intelligible, than those of Sir Henry Wotton, Sir Robert Naunton, Osborn Daniel the historian, and several others who writ later; but being men of the court, and affecting the phrases then in fashion, they are often either not to be understood, or appear perfectly ridiculous.
What remedies are to be applied to these evils I have not room to consider, having, I fear, already taken up most of your paper. Besides, I think it is our office only to represent abuses, and yours to redress them.
I am, with great respect,
Sir,
Yours, &c.