The point of view and verb tense in a novel is key to successful writing.
Third-person omniscient offers writers the most effective opportunities to develop a story.
It is most frequently used in stories with complicated plots or large settings where using multiple perspectives is necessary to tell the story.
The only disadvantage that it gives to the readers is that they can feel confuse on whom to empathize with in the story.
Skipping from one point of view to another should be done in the early stages of the story before the reader has placed emotional investment on the initial point of view.
The author's persona is indeed a very powerful tool.
It can control the reader's reactions by manipulating his attachment with the characters.
It is important that your freelance fiction writer knows how to apply a persona cautiously in your story in order to avoid the three hazards namely: 1.
Failure to evoke emotions.
This seems to be a common problem for the narrator who displays evident attitudes towards the elements of the story and makes frequent remarks.
It should be the goal of every writer to be able to induce emotional responses from the readers regardless if the events in the story are worthy or unworthy of these emotional responses.
2.
Failure to emphasize the presence of the persona.
The author needs to consistently bring to the mind of the readers that the persona is more focal than the story itself through stylistic elaboration, eccentric articulation, or direct expression of opinions about the characters and events of the story.
However if the author uses the first person who has stylistic elaboration, eccentric articulation, or direct expression of opinions about the characters and events of the story, then the author will be successful in emphasizing the author's persona as that of a self - centered individual.
3.
Making the character's seem trivial.
This is common for hard - edged fiction novels told in a detached and disinterested manner, whether first person or third person is used.
The persona's disproportionate detachment makes the events and the character's problems seem trivial.
The verb tense is a significant aspect of narrating a story.
The past tense is commonly used is most stories.
However using the past tense for flashbacks can be uncomfortable for readers.
There should be a consistency in the verb tense your novel writer chooses to apply in your story, unless you intentionally illustrated a narrator as a person who changes tenses.
The result of using the present tense is the development of a close relationship with the readers.
It seems that neither the narrator nor the readers know the subsequent events because they are occurring as they are being read.
However readers of genre fiction novels do not like having the present tense used although using it seems experimental for writers.
Third-person omniscient offers writers the most effective opportunities to develop a story.
It is most frequently used in stories with complicated plots or large settings where using multiple perspectives is necessary to tell the story.
The only disadvantage that it gives to the readers is that they can feel confuse on whom to empathize with in the story.
Skipping from one point of view to another should be done in the early stages of the story before the reader has placed emotional investment on the initial point of view.
The author's persona is indeed a very powerful tool.
It can control the reader's reactions by manipulating his attachment with the characters.
It is important that your freelance fiction writer knows how to apply a persona cautiously in your story in order to avoid the three hazards namely: 1.
Failure to evoke emotions.
This seems to be a common problem for the narrator who displays evident attitudes towards the elements of the story and makes frequent remarks.
It should be the goal of every writer to be able to induce emotional responses from the readers regardless if the events in the story are worthy or unworthy of these emotional responses.
2.
Failure to emphasize the presence of the persona.
The author needs to consistently bring to the mind of the readers that the persona is more focal than the story itself through stylistic elaboration, eccentric articulation, or direct expression of opinions about the characters and events of the story.
However if the author uses the first person who has stylistic elaboration, eccentric articulation, or direct expression of opinions about the characters and events of the story, then the author will be successful in emphasizing the author's persona as that of a self - centered individual.
3.
Making the character's seem trivial.
This is common for hard - edged fiction novels told in a detached and disinterested manner, whether first person or third person is used.
The persona's disproportionate detachment makes the events and the character's problems seem trivial.
The verb tense is a significant aspect of narrating a story.
The past tense is commonly used is most stories.
However using the past tense for flashbacks can be uncomfortable for readers.
There should be a consistency in the verb tense your novel writer chooses to apply in your story, unless you intentionally illustrated a narrator as a person who changes tenses.
The result of using the present tense is the development of a close relationship with the readers.
It seems that neither the narrator nor the readers know the subsequent events because they are occurring as they are being read.
However readers of genre fiction novels do not like having the present tense used although using it seems experimental for writers.